posted by
machine_dove at 12:36pm on 30/06/2004
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This was originally written in response to Ckun's comment, but I decided to give it a post of its own. Thoughts and comments welcome.
I wouldn't call the writing bad, exactly, it was just...uneven. Some parts were extremely well written, others showed a distinct lack of polish and clarity. Still, if the story is compelling enough, uneven writing is a flaw I can easily overlook. Especially when it's in a first novel, which The Eyre Affair was.
If I graded every author on the quality of his first published novel, not many would make the cut. Charles de Lint's Harp of the Grey Rose (although that may be his second, I don't remember), Tad Williams' Tailchaser's Song, Anne McCaffrey's Dinosaur Planet (again, that may not be her first, but it was an early one), and Sharon Shinn's The Shapechanger's Wife are all books that are, at best, unevenly written, and certainly not model examples of good genre fiction. Still, in each of them I can recognize the seed of what made them good writers, what made that manuscript stand out of the thousands of others in the slush pile, why that novel was selected to be printed.
Without Harp of the Grey Rose, we wouldn't have The Onion Girl. Without Tailchaser's Song we wouldn't have the Otherland books. These are the reasons why uneven writing doesn't impact my relative enjoyment of a book, when it's one of a writer's first published works (and sometimes even after that).
As a general rule, if I don't specifically address the writing, it's because it didn't really make an impression on me (see: CJ Cherryh, Guy Gavriel Kay, and Lois McMaster Bujold for examples of authors who write so well I feel compelled to comment on it). If the writing so bad it distracts me from the story, that's a different issue altogether, and usually results in an overall negative impression of the book (books I think are poorly written I tend to drop in a pile somewhere and forget about them, I don't usually spend any more time thinking or writing about them than I have to). However, if the writing is merely unpolished or uneven, and the story is sufficiently compelling, it doesn't detract from my overall enjoyment of the book.
I wouldn't call the writing bad, exactly, it was just...uneven. Some parts were extremely well written, others showed a distinct lack of polish and clarity. Still, if the story is compelling enough, uneven writing is a flaw I can easily overlook. Especially when it's in a first novel, which The Eyre Affair was.
If I graded every author on the quality of his first published novel, not many would make the cut. Charles de Lint's Harp of the Grey Rose (although that may be his second, I don't remember), Tad Williams' Tailchaser's Song, Anne McCaffrey's Dinosaur Planet (again, that may not be her first, but it was an early one), and Sharon Shinn's The Shapechanger's Wife are all books that are, at best, unevenly written, and certainly not model examples of good genre fiction. Still, in each of them I can recognize the seed of what made them good writers, what made that manuscript stand out of the thousands of others in the slush pile, why that novel was selected to be printed.
Without Harp of the Grey Rose, we wouldn't have The Onion Girl. Without Tailchaser's Song we wouldn't have the Otherland books. These are the reasons why uneven writing doesn't impact my relative enjoyment of a book, when it's one of a writer's first published works (and sometimes even after that).
As a general rule, if I don't specifically address the writing, it's because it didn't really make an impression on me (see: CJ Cherryh, Guy Gavriel Kay, and Lois McMaster Bujold for examples of authors who write so well I feel compelled to comment on it). If the writing so bad it distracts me from the story, that's a different issue altogether, and usually results in an overall negative impression of the book (books I think are poorly written I tend to drop in a pile somewhere and forget about them, I don't usually spend any more time thinking or writing about them than I have to). However, if the writing is merely unpolished or uneven, and the story is sufficiently compelling, it doesn't detract from my overall enjoyment of the book.